Thursday, November 10, 2016

Preface by the Publisher Robert J. Kelder to the True crime "Dead End Street"

Note: This preface is not identical with the translation of the preface of the Dutch version of this book Doodlopende weg that also appeared on this blog. It has been enriched with various links and other indications in between square brackets to further reading matter.

The original Dutch version of this true crime was first presented on November 2, 2012 by the publisher Robert J. Kelder during a public commemoration in front of the monument The Scream raised in honor of Theo van Gogh and dedicated to the principle of free speech in a park in Amsterdam East. The presentation consisted of a filmed reading of several chapters from this reality novel and took place not far from the scene where exactly 8 years earlier Theo van Gogh was brutally murdered by the Moslem fundamentalist Mohammed Bouyeri. This public presentation on 2/11, as this ominous date has since become known in The Netherlands as our own 9/11, in the form of readings from the book was continued the next two years. In spite of a Dutch and this English blog, press releases to the media, YouTube documentaries of the public readings, letters to political persons and parties and other concerted means to make the startling revelations from this book known to the general public, no attention at all was given to it, no outcry of indignation ensued.

Because of this “conspiracy of silence”, it was therefore decided to not simply present more readings, but to accuse the Dutch government i.e. its department of Justice of obstruction of justice.  This serious charge was mounted during the commemoration on November 2, 2015, but also this was to no avail. An edited and enlarged version of this speech under de subtitle “How the Cover-Up Culture of the Dutch Government and Media Prevents a Proper Course of Justice in the Murder Case of Theo Van Gogh” can be read in the epilogue [also on this blog] immediately after the text proper of this book

This epilogue answers to some extent the questions posed by the writer Dusan Tesic Lužanski in his letter to his friend and countryman Slobodan Mitric that may be read in the Foreword II [and on this blog] “Can the Rise of Islamization in Europe Still Be Halted?”, namely, “Do the Dutch people realize what is happening to them? And what is the official response to your book?” The Dutch people and the world at large do not realize what is truly happening to them, because they are withheld the truth, no official person or institute has, after all, made any attempt to investigate the charges that are brought forward in this novel or, for that matter, in any other of the books by Slobodan Mitric that are listed in the previous pages and in the appendix. 

The stirring wake-up call that Dr. Prof. Rade Bozovic in his Foreword I “Does a Dead End Street Have an Exit After All?” sees in this novel [also to be found in this blog] cannot ring out and be heard, because it is nipped in the bud, and so the possibility of a ray of hope, which he offers to illuminate a way out of the dead end street in which humanity has manoeuvred itself seems nothing more than a futile exercise, bound to end up in complete and utter despair.

But behold, the last two items in the appendix of this book indicate that there may still be light at the end of the tunnel after all, for a long academic and ecclesiastical “conspiracy of silence” in this regard has finally been broken.

The first item of interest in appendix V is entitled “Can the Rise Of Islamization Still Be Halted?“ and introduces new results of inspiring spiritual research from the book How the Grail Sites Were Found –Wolfram von Eschenbach as a Historian by Werner Greub concerning a legendary yet historic figure, named William of Orange, the Franconian founder of the original House of Orange, a staunch defender of Celtic Christianity and immortalized in the epic poem Willehalm by the German poet-knight Wolfram von Eschenbach. After having converted an Arabian princess while imprisoned in Spain to Christianity, who later became his second wife Arabel or Guiborg, this paladin of Charlemagne and supreme commander of the Carolingian army in the southern flank of the empire was not only instrumental in halting the invasion from Spain by the marauding Moors, thereby preventing the Islamization of Europe, but he afterwards also played a leading role in the coronation of Parzival as King of the Grail. Here the stuff of legends becomes history, presenting us with the challenge of continuing the struggle of our forefathers in the face of the current wave of Islamization, but this time above all by spiritual means instead of military might with the conversion of Princess Arabel as an inspiring historical precedence..  

This is dealt with in Appendix VI. It concerns a petition submitted in 2014 to the present King William-Alexander of Orange Nassau, Grand Master of the military Willems-Orde (William Order), who according to the Dutch constitution is the only one privileged to found a new chivalric order.  The petition, further motivated in 2015 and 2016,  entails a formal request to institute a Civilian Willehalm Order of Knights of the Word as a supplement to the Military Order of Knights of the Sword, which in 1815 was also appropriately named after Willehalm or William of Orange, because the latter was canonized in 1066 as the patron saint of Christian knights. Its mission would be to promote and defend what the Austrian philosopher and visionary Rudolf Steiner (1861-1925) has characterized as The New Christianity, the inspirational source in the spiritual world of the humanities, anthroposophy or science of the Grail. This includes not only the whole-sale reformationof the world economy, the just governance of our Mother Earth as the body of Christ, and the humanization of all disciplines of  science and art, but also the loyal defense of the knowledge-based New Christianity against its challengers, such as the present Muslim faith based solely on an authoritarian, also cruel and deceitful deity named Allah (as some of his 99 names in the Koran indicate) – a fallen Elohim, a cosmic rebel, who can in no way be compared to God the Father, because God the Son and the Holy Spirit constitute after all no part of him. This in stark contrast to the true, triune Christianity of a Christian Rosenkreutz and Master Jesus that, as e.g. has come to light during the celebrations this year (2016) in this country commemorating the 500th anniversary of the death of the arch heretic and Rosicrucian painter Hieronymus Bosch [in the Bosch trilogy  The Painting by Hieronymus Bosch 'The garden pf Heavenly Joys In the Light of the Teaching of Christian Rosenkreutz by Catharina Barker], is the synthesis of all 12 world religions that will as such in time also embrace a Christianized Muslim faith, when Allah has made amends with God the Father...

CAN THE ISLAMIZATION OF EUROPE STILL BE HALTED? Press release from the Willehalm Order of Knights of the Word (i.s.n.)


As was announced in a lengthy press release on October 26 from the Willehalm Order of Knights of the Word (i.s.n.) with the title “Can The Islamization Of Europe Still Be Halted?”, the true crime Dead End Street – Why the Dutch Secret Service Murdered Their Top Secret Service Agent Theo van Gogh by Slobodan R. Mitric was presented by the publisher Robert J. Kelder during the yearly commemoration on November 2 of the murder of Dutch filmmaker Theo van Gogh, committed by an ostensibly lone Islamic fundamentalist named Mohammed Bouyeri on November 2, 2004.

As was similarly announced in a press release on October 31, the monument The Scream, which was erected in an Amsterdam park in memory of the murdered knight of the free word, and in front of which the presentation took place, was proclaimed Speakers Corner of the Netherlands. During the English part of the commemoration, which followed the Dutch part, the last segment of the epilogue written by the publisher under the title  “Obstruction of Justice - How the Cover-Up Culture of the Dutch  Government and Media Prevents a Proper Course of Justice in the Murder Case of Theo Van Gogh” was read. The whole English book presentation was  filmed by Nico van den Dam under far from ideal circumstances. Next to the previous Dutch part of the commemoration., it can now be seen on YouTube

As was stated in Appendices V and VI of the book, obviously no final, clear-cut answer to the troubling question raised in the title was given. Instead, the beginning of a two-fold direction was indicated in the course of which such an answer may be found. Further seminal indications in this direction are planned under the auspices of the proposed Willehalm Order of Knights of the Word (the abbreviation i.s.n. refers to in status nascendi). In 2014, a petition was submitted to Dutch king Willem-Alexander to institute such a civil order with its mission to advance and protect the faith and knowledge based New Christianity propounded by Rudolf Steiner (1861-1925) in his profound Karma lectures here in Arnhem in 1924 for members of the Anthroposophical Society, as being the source of inspiration in the spiritual world of anthroposophy. Since then, the Willehalm Order has already organized a number of public manifestations in various places in The Netherlands. More are to come.   
                  
Note: The book Dead End Street can be ordered for €14,95 in any (Dutch) bookstore by mentioning the ISBN/EAN:  978-90-73932-24-1 or by sending an email to rjkelder@willehalm.nl after which an order for payment by PayPal will be sent (for customers in Europe the cost price is € 17.95, beyond Europe € 19.95). The e-book can be ordered through the same channel for € 5.00. Contact: info@willehalm.nl; Tel. + 31(0)20-6944572


Monday, October 31, 2016

Free Speech Monument The Scream Devoted to Theo van Gogh To Be Turned Into the Speakers Corner of The Netherlands

Cultural Press Release of the Willehalm Order of Knights of the Word (i.s.n.)


Amsterdam, October 31, 2016 – During the public commemoration of the murder of Dutch filmmaker Theo van Gogh on November 2 at the monument The Scream, raised in his honor as a champion of Free Speech, this spot in a park in Amsterdam East will be “baptized” into the Speakers Corner of The Netherlands. This is what het actually has been to some extent already since the monument was erected in 2007 in the presence of those very politicians who, according to the true crime Dead End Street, had decided that Theo had to be sacrificed for the greater good. Those who cannot attend this commemoration, but want to support this proposed idea for a Speakers Corner can do so by signing a petition to this effect to the municipal government of Amsterdam.

In the Dutch part of this event also Alexandra, chief redactor of the website Niburu.co, will speak on behalf of the well-known beleaguered whistle blower Micha Kat on the topic of what the Demmink-case  would have looked like if Theo van Gogh had not been murdered.  During the following English part beginning around 4 PM one of the organizers, the publisher Robert J. Kelder will present the English version of the true crime Dead End Street – Why the Dutch Secret Service Murdered Their Top Secret Service Agent Theo van Gogh by Slobodan R. Mitric (Karate Bob) and originally published in Dutch aDoodlopende wegHe will do so under the title “Can the Islamization of Europe Still Be Halted?” as an initiative of the Willehalm Knights of the Word (i.s.n.).

For more information see the press release dated October 26 on this blog. The Dutch version can be read here.

Wednesday, October 26, 2016

CAN THE ISLAMIZATION OF EUROPE STILL BE HALTED? - Reading on November 2 in Amsterdam During the Presentation of Dead End Street at the Commemoration of the Murder of Theo van Gogh

Cultural Press Release Willehalm Order of Knights of the Word (i.s.n.)



Amsterdam, October 26, 2016 – The true crime Dead End Street – Why the Dutch Secret Service Murdered Their Top Secret Service Agent Theo van Gogh was written by top counter-intelligence agent, 10th  Dan Karate Master, Serbian-born Dr. Slobodan R. Mitric (Karate Bb), who has an honorary degree in Law from a (now defunct) Police Academy in Tucson, Arizona and who was appointed world director of Reserve Police International by his deceased American foster father US General Raymond Healey. It will be presented by the publisher Robert J. Kelder at a public commemoration in front of the monument The Scream that was raised as a tribute to the principle of free speech in a park in Amsterdam East not far from the very spot where the controversial Dutch filmmaker, television personality and columnist Theo van Gogh, as a punishment for having publicly insulted Allah, was shot down and had his throat cut in broad daylight by the Muslim fundamentalist Mohammed Bouyeri. As the only one as yet found guilty of this heinous crime, the latter is now serving a life sentence without parole.

Translated from the Dutch version Doodlopende weg, it was first publicly presented by the publisher with successive selected readings from it in front of the Scream on November 2, 2012, 2013, 2014 (in English) and 2015 (in English), most of which were filmed and put on YouTube.  From the book  emerges such a completely different picture from what is generally believed to have happened behind the scenes that until now the main media and the cultural elite in this country have chosen to completely ignore the shocking background of this murder case, while an official inquiry recently set up to investigate whether this was really a one-man action dispersed all lingering doubts that it was anything other than that.

Since then, all serious discussion as to the true background of this murder case, which caused world-wide consternation and which as 2/11 has become our own ominous 9/11, has all but reached a dead end street. With the presentation to the English-speaking world with selected readings from the epilogue “Obstruction of Justice - How the Cover-Up Culture Of The Dutch Government and Media Prevents A Proper Course Of Justice In The Murder Case Of Theo Van Gogh“ and other parts of the book a direction will be indicated where a positive, but by no means easy answer can be found to the questions posed by the Serbian writers Rade Božović and Dusan Lusanski in their forewords and that can be read on this blog “Does a Dead End Street Have an Exit After All?” and “Can the Islamization of Europe Still Be Halted?” This initial answer can, in so far as Islamization is a religiously motivated process, only be one of a religious, i.e. Christian  nature, just as other non-religious, i.e. political and military aspects of the process of Islamization can only to be met with answers of a similar corresponding nature.  

The book is published by the Willehalm Institute Press Foundation in Amsterdam that is named after the title and leading figure of the epos Willehalm by the German medieval poet-knight Wolfram von Eschenbach, an epic poem about William of Orange, paladin of Charlemagne, protector of Celtic Christianity and founder of the original House of Orange (see image). After having converted his future wife, the Arabian princess Arabel to Christianity this supreme commander of the Carolingian army in the Spanish March was instrumental in halting the advance of the marauding Moors from Spain in the 9th century, thereby setting the stage for the historic coronation of Parzival as king of the Grail, an event of supreme, albeit still largely unrecognized, spiritual significance in the evolution of human consciousness on its path from instinct via intellect to intuition.

The English part of the commemoration on November 2, which will follow the Dutch segment, is an initiative of the Willehalm Order of Knights of the Word (i.s.n.) that is also named after the founder of the original House of Orange and patron saint of Christian knights. Its mission is to further and protect the New Christianity that was heralded by the Austrian philosopher and visionary Rudolf Steiner (1861-1925) through his lectures on the Fifth Gospel and that was characterized by him as the source of inspiration in the spiritual world of his anthroposophy or science of the Grail. This New Christianity was further developed by Valentin Tomberg (1900-1973) in the 1930’s by his profound writings on the Bible, published as Christ and Sophia, and by his lectures in The Netherlands on Inner Development in a Rosicrucian way and on the Second Coming of Christ in the etheric (“on the cloud”)

As the synthesis of all twelve world religions, including the Islam, and already propounded by the true Rosicrucians of the Middle Ages,  it is this New Christianity that has the full potential for re-evangelizing the whole world, a task entrusted to the Anthroposophical Society re-founded by Rudolf Steiner in 1923/24 in Dornach Switzerland. In order to help envisage and carry out this momentous task, a petition was submitted to Dutch king William-Alexander of Orange/Nassau in 2014, successively broadened and enlarged in 2015 and 2016, to institute a Civil Order of Knights of the Word. The petition was forwarded by the cabinet of the monarch to the Chancellery of Dutch Orders in The Hague, but apart from this procedural response, no answer of any significance has been forthcoming.(Update: As was expected, the petition was finally turned down in November 2016.) 

Note: The presentation of Dead End Street - Why the Dutch Secret Service Murdered Their Top Secret Agent Theo van Gogh by Slobodan Radojev Mitric on November 2 will take place at around 4 PM in front of the monument The Scream located in the park of Amsterdam East  (Oosterpark, 1091 AC, Amsterdam). The book itself can be ordered for €14,95 in any books store by mentioning the ISBN/EAN:  978-90-73932-24-1, or by sending an email to rjkelder@willehalm.nl after which an order for payment by PayPal will be sent (for customers in Europe the cost price is € 17.95, beyond Europe € 19.95). The e-book can be ordered through the same channels for € 5.00. Info: info@willehalm.nl; Tel. + 31(0)20-6944572

OBSTRUCTION OF JUSTICE - How the Cover-Up Culture of the Dutch Government and Media Prevents a Proper Course of Justice in the Murder Case of Theo Van Gogh


Note: This text is an updated translation of a speech given by publisher Robert J. Kelder on November 2, 2015 at the yearly occurring public commemoration of the murder of Theo van Gogh in front of the monument “The Scream” in Amsterdam's Oosterpark dedicated to him as a martyr for the principle of free speech. The event was jointly organized by (a.o.) the Pim Fortuyn Foundation in Rotterdam and the Willehalm Order of Knights of the Word (i.s.n.). This is where on November 2, 2016 this book is scheduled to be presented by the publisher (Update: this was done.) The author is physically unable to attend.

I. First Speech "In Memoriam” Theo van Gogh" on November 2, 2012

Ladies and gentlemen, friends of Theo van Gogh

Here I stand for the fourth consecutive time and this time I will, in the spirit of knights of the free word as was Theo van Gogh, not mince my words. And free according to Luther, "I cannot do otherwise, so help me God."

The first time I spoke here was on November 2, 2012 under the title "In Memoriam Theo van Gogh", when I recited three shocking chapters from the literary crime report Dead End Street - Why the Dutch Secret Service Murdered Its Top Secret Agent Theo van Gogh by the former top counter-intelligence officer with an honorary doctor of Law Slobodan Radojev Mitric, better known as Karate Bob. This true crime, dedicated to his friend Theo Van Gogh, is a continuation of his equally shocking book The Golden Tip - The Entanglement of the Upper and Underworld  and the Murder of Gerrit Jan Heijn that appeared in 2008.  This true crime about the real background to the kidnapping and murder of a wealthy Dutch captain of industry in 1987 was also largely hushed up by the overworld, i.e. the government, main stream media and the press (with one exception in the newspaper Haarlem Dagblad) whereby a proper course of justice was prevented in the sense that the henchmen of the only one mistakenly held to be solely responsible in this case, the engineer Ferdi Elsas, who died in a traffic accident in 2009, were not brought to justice. [See “Karate Bob as Whistle Blower”, Willehalm Institute Press Release dated August 7, 2009]
This first chapter entitled "Cunt Bacon Jew" is a representation of a secretly bugged conversation at the residence of the then mayor of Amsterdam between the host [Mr. Job Cohen], the then Minister of Immigration and Naturalization [Mrs. Rita Verdonk], the then Commissioner of Police and the then chief public prosecutor.

From this notable conversation it appears point blank that the then mayor i.e. the government faced the Machiavellian choice between, on the one hand, appeasing the Islamists, who were furious about the insult made on public television by Theo van Gogh directed to their God Allah and who threatened to mount a revolt in the Dutch capital city and throughout the country and even beyond that, if Van Gogh would not get the punishment that he deserved in their eyes, namely death. On the other hand, the government considered using the murder plans of the radical Islamic community for its own purposes and to facilitate them in order to remove the sting from the anger of the Muslims and so to finally get rid this dangerous “village idiot”. Chosen was for the latter course of action in this sordid example of crisis management  with the reassurance given by the mayor that care would be taken to ensure that this ghastly state of affairs would never become public. And thus a double game was played according to this scenario to cover up what really happened.

And so, on the very night of the murder on November 2, 2004 during the "Noise cabal” on Dam Square in front of the Royal Palace in Amsterdam the two politicians mentioned in the conversation at the residence of the Mayor let their crocodile tears flow lavishly. The mayor hypocritically called the murder a cowardly and gruesome act with which Van Gogh was gagged, "We confront each other with words, with the pen and in extreme cases we go to court, but we do not take the law into our own hands." He was followed by the Minister of Immigration and Naturalization, who on behalf of the government expressed her deepest condolences to family and friends of Van Gogh, especially his son Lieuwe.

The mayor was later also present at the unveiling of this monument to free speech in honor of Theo van Gogh on July 23, 2007, the date that the latter’s 50th birthday would be celebrated, and spoke beautiful words on the importance of the principle of free speech. This was also underlined during the commemoration there two years later on November 2, 2009, by his female colleague Verdonk, who was now here in her capacity as the founder of the now defunct political party “Proud of the Netherlands” (Trots op Nederland) with an ambitious program to restore moral values…

The second chapter read here on November 2, 2012 entitled "Public Tribute to the Prince of Death" is based on observations of the author and as such amounts not to a conspiracy theory, but to conspiracy practice. A few days before the murder of Van Gogh, he in fact witnessed a remarkable scene on nearby Java Street that was strewn with roses. It consisted of a public ceremony honoring the culprit-to-be, dressed as a prince of death in a long white Arab robe, surrounded by hefty bodyguards and an Iman, in the presence of hundreds of sympathizers and retailers who pressed many bank notes in the hand of "The Chosen One”. Even police as well as politicians from an Islamic background made an appearance and therefore knew full well what was going on...

The third and last chapter read here on November 2nd, 2012 entitled "Assassination" describes in detail what transpired before the shooting and arrest of the murderer in Oosterpark on that fateful morning of November 2, 2004. The police were tailing the Islamic murder squad, but much to their surprise, if not dismay were at the last moment forced to let the religious liquidation of the blasphemer as it were, happen under their very eyes: Orders from above!

The response to these startling revelations about the various persons and politicians involved in the background to the murder of Theo van Gogh, which although not mentioned in the book by name but by their function and who can therefore be easily identified, was virtually nil, a deafening silence. No charges of defamation levelled at the writer or the speaker or something of that nature. Even after the Amsterdam television station AT5 had promised to transmit a large portion of the speech in Oosterpark live, but then declined and after previous interviews on radio station Amsterdam FM, also made available on YouTube and a two-hour interview on Radio Dieperick (since removed) it remained dead silent. Was the truth too much to bear?

II. Second Speech "Orders From Higher Up" on November 2, 2013

At the next commemoration on November 2, 2013, a summary of Dead End Street  was read, first in Dutch and then also in English, to a small group gathered here around the monument “The Scream”. This summary entitled “Orders from Higher Up”, which had already been on internet for more than a year, read as follows:

1. A few days before Mohammed Bouyeri, the "Chosen One" on the morning of November 2, 2004 shot down Theo van Gogh at the Linneausstraat opposite the district office of Amsterdam East and then cut his throat and pinned a letter on his chest with a knife, he was as the Prince of Death, donned in a long white Arab garb, honored in public on Java Street in Amsterdam East covered with flowers in the presence of his Imam, body guards and hundreds of spectators, including even officials of the police and the Secret Service. The writer actually witnessed this public ritual himself perchance and has described in the chapter "Public Tribute to the Prince of Death".

2. As the final chapter reveals, this liquidation of Theo van Gogh was not, as is generally maintained and believed,  the sole action of Islamic fundamentalist, but a covert operation prepared, carried out with military precision  and subsequently perfectly covered up (at least until now) by the Dutch Secret Service and their agents employed in the national press and media.

3. This operation had probably not been necessary, if Theo had only listened and complied with two urgent requests and warnings from the Director of the AIVD (Dutch Secret Service) to remove the article "
Shadow Commando of the Prince" from his website "The Healthy Smoker". This article by Jan Portein as well as a supplement to it under the title "Lubbers and Muslim Bomb" (in Appendix 1), in which the writer Karate Bob in his at that time secret function as director of World Atomic Counter-Espionage (WACE) plays the central role in a secret multi-million plutonium transaction, were according to the Dutch Secret Service (AIVD) a threat to national security and the Queen [called Bea in the book]. The literary representation of the two conversations between Theo van Gogh as a member of the secret service and the head of the AIVD in Cafe Cinetone on the Duivendrechtsekade and Cafe Danzig in the center of Amsterdam can be read in the chapters "Shadow Commando of the Prince" and "DNA". The two relevant articles that Theo refused to remove from his website are found in the appendices, which include legal documents related to the threatening, illegal and inhumane eviction of the ailing writer by the Dutch state to the former Yugoslavia, a letter from the then Premier Lubbers to Slobodan Mitric, testimony by Prof. Rüter, a former president of Amnesty International, about the credibility of Slobodan Mitric, plus a comprehensive CV and an overview of his work as a writer, artist and filmmaker with his wife Iris de Vries, who died under suspicious circumstances in an Amsterdam hospital in 2006.

4. The mayor of Amsterdam (Job Cohen), the Minister of Immigration and Naturalization (Rita Verdonk), the chief of the Amsterdam Police and the Chief Public Prosecutor were not only aware of this state liquidation, but allowed the police, who followed the preparations closely, to let the murderer and his team go about their business undisturbed: "Orders from Above!" The Amsterdam village idiot, who had publicly called his pig Allah on television and who had made the film "Submission" with Ayaan Hirsi Ali [called Aisha in the book] had to be sacrificed to abate the fury of the Islamic community at home and abroad in order to prevent worse. This is related in the chapter “Jewish
 Bacon Cunt" based on a conversation secretly recorded at the mayor’s residence in Amsterdam by the Dutch secret service. The chapter "Submission," with which this book after the Prologue " Something is Happening On Java Street" starts, and the chapter "Fox" also present a somewhat different perspective on how this film actually came about, while from the chapter "DNA" and the conversation at Cafe Danzig between Theo and the Secret Service it may be gathered that the former had doubts about the true identity of Ayaan Hirsi Ali and ordered an investigation to determine whether the preparations for the murder were an insider’s case of "estherism" (a term from the vocabulary of counter-intelligence work, in which a mole prepares a criminal act which he then discloses to the authorities in order to gain a foothold and high position ).

5. Part of the preparations for the murder of Theo van Gogh was that the "Chosen One" was taught the art of throat-cutting by an Imam and a colleague under the watchful eye of two big bodyguards. First, through the use of a goat as described in the chapter entitled "Islamic Butchery" and then even on a Ukrainian man, as described in the chapter "Body Wrapped  in a Carpet", illustrated with a color picture of the crime scene in Amsterdam East. That as well was closely followed by the police, who could have prevented it, but who were told not to intervene: "Orders from Higher Up...!"

III. Third Speech "Why Theo van Gogh Was Really Sacrificed!" on November 2, 2014

In the run-up to the third and so far last discourse "Why Theo van Gogh Was Really Sacrificed" during the commemoration on November 2, 2014 there finally seemed be a change in that deafening silence about the real circumstances concerning the murder of Theo van Gogh through a number of notable developments that in the end turned out be nothing but missed opportunities.

Firstly there were the revelations by Frits van Staelen, the chief public prosecutor during the trial of the murderer of Van Gogh, made in a radio program Dossier One Today (Een Vandaag) on September 22, 2014.

I quote from the announcement of the website Radio One Today "I [Staelen] am convinced that Mohammed Bouyeri did not act alone." The criminal investigation into the murder of Theo van Gogh has yielded, according to this public prosecutor "frustratingly little". "For example, there are clues," he said, "that there are people who explored the route of Theo van Gogh and who provided the firearm."

The relevant dossier Radio One Today also quotes Lütken Bé, former police commissioner of Rotterdam and former researcher of the CTIVD, Commission for the Supervision of the Intelligence and Security Services. This former police chief says that the Dutch Secret Service, the AIVD has failed to share information with the regional police forces and intelligence services that the so-called Hofstad Group, [Hofstad refers to The Hague] of which Mohammed Bouyeri was an active member, was up to something to, and speaks of a missed opportunity.

About the fact that already on November 10, eight days after the murder, Minister Piet Hein Donner (Justice Department) and Remkes (Minister of the Interior) wrote in a letter to parliament that the AIVD did a good job, Lütken says, "I really thought what a lot of nerve. So soon after something like that. To write concretely: no mistakes. Nothing to blame. That you cannot actually do. The investigation was too short and you only relied on information from the Secret Service itself. I thought that was not so fortunate. Clumsy and risky!"

The announcement on Radio One Today ended as follows, "The Socialist Party (SP) advocates reopening the investigation, in view of the fact that the prosecution is convinced that Mohammed Bouyeri was not acting alone. Ronald van Raak (SP) wants to see that any eventual accomplices still be brought to justice."

These and other startling pronouncements about deleted images, miscommunication and corruption within the apparently competing services within the government are consistent with the descriptions given in Dead End Street. And because Minister Plaskerk, responsible for the AIVD, following the revelations of Radio One Today on October 9, 2014 has ordered the CTIVD to conduct a re-investigation into the murder of Theo van Gogh and the actions of the Dutch Secret Service, I wrote on October 31, 2014 the following letter (here translated into English):

Letter to the "Supervisory Committee on the Intelligence and Security Services":

"On October 23 this year, I mailed to you an announcement of my speech on the coming 2 November during the commemoration of the murder of Theo van Gogh "Why Theo Van Gogh Was Really Murdered!" based on the above literary crime report of Dr. Slobodan Radojev Mitric, 10th Dan karate master and possessor of an honorary doctorate in law. It contained the following sentence: ‘Given the accumulation of strong suspicions or evidence that much more was going on than hitherto the government has scantily admitted, the Supervisory Committee on the Intelligence and Security Service can no longer fail to include the findings of the reality novel Dead End Street in its reinvestigation of this murder, recently announced by Minister Plaskerk, and as such invite the ailing former top counter-intelligence agent Karate Bob, while he is still alive, to testify on which striking observations and secretly recorded and filmed events he has based his startling revelations.’

I hereby urge you in the re-investigation to the true background of the murder of Theo van Gogh to have the findings of this book examined. Because I understand that the author is prepared to testify in this case, I request you to do so. If this happens, then the most obvious thing is to question him about his observations on which Chapter 13 "Public Tribute to the Prince of Death" is based. In this chapter is namely described how the "Chosen one", a young Moroccan dressed in regal Arab robe, surrounded by hefty bodyguards, was honored on the flower-strewn left sidewalk of the Java Street from Java Square to the tunnel by deeply bowing retailers kneeling before him and pressing rolls of European banknotes in his hand, a scene in which the police and even well-known politicians were present and which was apparently filmed. Ascertaining that this public homage to the Prince of Death took place, whose name in the book is not mentioned, but who is none other than Mohammed Bouyeri, is enough to confirm the truth of the statement of the public prosecutor Frits van Staelen, "I'm convinced that Mohammed Bouyeri did not act alone."
        But also the other chapters from Dead End Street that are based on secretly filmed or recorded incidents show that there was much more going on than has been made known by the government. Because these chapters show that Theo van Gogh was offered in the national interest on the one hand to nip an impending rebellion by radical elements within the Islamic community in the bud and on the other hand, because he had categorically refused to give in to the repeated, urgent demands of the Secret Service to remove from his website "De gezonde roker” (The Healthy Smoker)  a lengthy  article, "Shadow Commando of the Prince" in which next to Dutch Prince Bernhard, the writer as Karate Bob plays a central role, and concerning which the then prime minister Balkenende and the then Queen Beatrix harbored serious reservations.
With regard to the reliability, often wrongly drawn in doubt, of Dr. Mitric, I refer to article in the appendices of "Dead End Street" under the title "Testimony of Professor C. F. Rüter”. On February 15, 1988 during the trial of Slobodan Mitric in the Amsterdam District Court this well-known lawyer and former president of Amnesty International said the following, " ... I had gained the experience over the years that the stories of Mitric contained a kernel of the truth; he had often shown to possess golden information; Moreover, he had announced the abduction [of Gerrit Jan Heijn] already in this case in July 1987."
Hoping to be of service to the process of truth finding in this murder case, I am,

Yours sincerely,

Signed: (Robert Jan Kelder)

Dir. Willehalm Institute Press Foundation

P.S. Today I sent the book Dead End Street with a copy of this letter and the text of the announcement of my speech  on November 2 to your address in The Hague."

At the end of this letter was the following note: "Until now, no acknowledgement has been received. Soon a similar letter with a copy of the book will be sent to public prosecutor Van Straelen, who now works in the region of Eastern Netherlands, with a request to reopen the investigation into the murder of Theo van Gogh on the basis of the findings of Dead End Street."

This letter was indeed sent to the public prosecutor Van Staelen, but neither he nor the members CTIVT apparently found it necessary to give an answer or even acknowledge its receipt, and so far the author of Dead End Street has not invited been invited to testify in the still ongoing re-investigation: missed opportunity no. 2.

Missed Opportunity No. 3: "02/11 – The Game of the Wolf"

The next opportunity missed in this regard, or rather cover-up, is the feature film/ docudrama "02/11 - The Game of the Wolf" with on the poster a slogan claiming: "Theo van Gogh Is Dead; And Now the Truth.“ Written and produced by the friends of Theo van Gogh Theodor Holman and Gus van de Westelaken, it was broadcast nationally by television station VPRO on November 2, 2014 and can be seen on internet.  The film makes the point that Theo van Gogh as "collateral damage" had to be sacrificed for the national interest or for the CIA, which as a general conclusion comes uncomfortably close to the scenario of Dead End Street, but in fact it is a big blunder and instead of bringing the truth it only conceals it.

This is how the author of Dead End Street sees it. In his reaction under the title: "A Complete Miss!" he wrote:

Beautiful film that shows how the Dutch Secret and Security Service AIVD works - but as a film shot to reveal the truth about the murder of Theo van Gogh, it completely misses the mark.
Interesting is a fragment where it is alleged that Mohammed Bouyeri was treasurer of the Hofstad Group [a group of radical Muslims based in The Hague].
This comment was meant to hide the fact that Muslims gave a massive amount of money to Mohammed. Because the British MI6 gave Mohammed Bouyeri money for the liquidation of Theo van Gogh and the bearded owner of the laundry mat on the Java Street [described in Ch. 13 of my book Dead End Street] was head of the special department of MI6 in Amsterdam.
The MOSSAD supplied the murder weapon. Ron [an informant for the AIVD appearing in the film] is a member of MOSSAD and for everything he does, he must have prior approval from the MOSSAD.
It is important that an independent prosecutor is put on this case so that he can prove that many Muslims in Amsterdam had given money to Mohammed Bouyeri to look after his remaining family members, because Mohammed Bouyeri had vowed that after the murder of Theo he would fire on the police so that they would kill him.
The director of the AIVD [Sysbrand van Hulst] I know personally.
A relative of Van Hulst is a tipster about 60 kg of stolen plutonium and a few tons of radioactive material about which [the then Dutch] Prime Minister Lubbers did business with me. (See Appendix I, Karate Bob, Lubbers and the Muslim Bomb)
 Former Dutch Secretary of the Department of Justice and Security] Joris Demmink has long been blackmailed by Muslims - they have awkward videos of him and his children lovers.
Many former ministers as well as Prime Minister Balkenende knew that Theo would be killed.
The Syrian Imam, who is described in the film as the one who ordered the liquidation is not the Imam who really given that order. I met him once. He was with the two bodyguards of Mohamed Bouyeri on the Java Street during Muhammad’s ceremony [as described in Ch. 13, “Public Tribute to the Prince of Death" of my true crime Dead end Street - Why the Dutch Secret Service Murdered Its Top Secret Agent Theo van Gogh.”

The Murder of Theo van Gogh Was an Action of the Islamic Community

Here it should also be mentioned that the writer Theodor Holman of "The Game of the Wolf," must certainly have been aware of the book Dead End Street or at least possesses a copy of it, since about half a year after its publication on February 2012, the father of Theo van Gogh, Johan van Gogh, a retired employee of the BVD (forerunner of the Dutch Secret Service AIVD), had ordered two copies from me, which, according to him, were destined for Holman, a friend of the family. This columnist for the Dutch Daily “Het Parool” and radio presenter of the program OBA Live at the Public Library in Amsterdam, however, did not waste a single word on it. Does he have something to hide as well? Yes, that is if you have may believe words the author of Dead End Street wrote to me in an email and which at the commemoration on November 2, 2014 I read as a whole under the title "The Murder of Theo van Gogh Was an Action of the Islamic Community - Mohammed Bouyeri Was Only the Executioner" and afterwards I also posted as document 2 on the Dutch blog "Doodlopende weg”. This is what he wrote

"Here are the facts: Two days before the murder of Theo van Gogh in Amsterdam [on November 2, 2004] money was collected for the murderer Mohammed Bouyeri. There is evidence of a living Dutch witness, who could confirm that dozens of retailers in the Javastraat in Amsterdam East gave money to Mohammed Bouyeri. Among them was the boss of a laundry mat, a Pakistani man with a very distinctive long beard, who has the British nationality and who in front of his shop in the Javastraat kissed Mohammed Bouyeri on the hand and gave him a big pile of money bills. Also an Iraqi, a few shops away from the laundrymat towards the railway tunnel on Java Street, handed Mohammed Bouyeri a pile of money bills.
Mohammed Bouyeri was dressed in a white robe adorned with all kinds of Arabic symbols. (An Arabist Prof. Dr. R.B. has stated that this clothing is worn by chosen Muslims about to commit a murder). Mohammed Bouyeri was during his visit to the Javastraat accompanied by two burly bodyguards of Arab origin. (several days after the liquidation of Theo van Gogh, both men had a meeting with an imam in Macdonalds on Van Zwindenstraat - Dapper Market in Amsterdam-East.)
Here a liquidation took place, which was financed by hundreds of Muslims in Amsterdam with donations to the chosen murderer Mohammed Bouyeri. Cornelis Theodorus Holman was one of the first people in The Netherlands, who knew all these things. Theo's partner Gus van de Westerlaken, whom I know personally, also knew of it. Both of them were given a number of times pamphlets, which stated that the liquidation of Theo van Gogh was financed by the Islamic community in Amsterdam.
About a week after the murder of Theo van Gogh, a woman, who is married to one of the most important BVD (AIVD) officials, stated that Cornelis Theodorus Holman is also a member of the BVD. This information is 100% reliable.
It is therefore understandable that Cornelis Theodorus Holman hushes things up and comes up with things in public to avoid the truth. But only the most important facts should be proven here that Theo van Gogh was liquidated on order of the most powerful Muslims in Amsterdam, where in advance much money was collected for the selected killer. And who is who here does not matter. The fact is that money to murder Theo van Gogh was paid in advance by many Muslims.
Public prosecutor Frits van Staelen [who handled this murder case and recently declared that he was convinced that Mohammed Bouyeri did not act alone, but declined to give any proof] should carry out a thorough investigation into what happened exactly at the Java Street two days before the murder of Theo van Gogh.
There are hundreds of people, who have seen this ceremony, and there is a Dutchman, who could also confirm this, provided that the Dutch state guarantees his safety.
As for me, I have no interest to make things appear otherwise than what really happened. I am willing to unconditionally declare these things under oath before a court. ”

Fourth Missed Opportunity: The Novel The Second of November by Tomas Ross

Concerning the last in this boulevard of missed opportunities, it may be stated that the Dutch author Thomas Ross of the [Dutch] novel The Second of November - Who Was Behind the Murder of Theo van Gogh? published in 2013, was also aware of Dead End Street, because I personally delivered a copy for him at the office of his publisher Cargo in Amsterdam at their request. However, he completely ignored it. For his work of "faction" (mixture of fact and fiction) ends with the open question of the subtitle: "Who Was behind the Murder of Theo van Gogh?” instead of answering it on the basis of the information he received. It must therefore also be considered another distraction from the real course of events.

No Word Either From Geert Wilders

On February 16, 2012 copies of Dead End Street with the Introduction and justification of the publisher under the title "Can the Current Rise of Islamization Still be Halted?" were delivered at the desk of the Amsterdam National (Christian orientated) daily newspaper Trouw for its police and justice editor Adri Vermaat and at the office of Slobodan Mitric's lawyer Mr. Henri Sarolea. The next day copies were presented to former Queen Beatrix (personally delivered to her Noordeinde Palace in The Hague) and Geert Wilders (via the mail room at the Parliament buildings). Wilders has so far not deemed it necessary to raise questions about this book in the House of Commons, which would be expected considering his crusade against Islamization in the Netherlands and abroad. Later that day, I personally handed over by three copies to the parents of Theo van Gogh in Wassenaar, a prosperous village near The Hague, who took accepted them with interest and later, as already mentioned, ordered two more copies. For them, Slobodan Mitric wrote the following dedication in his book: "I cannot bring your son back alive, but the truth about how and why he was killed, you can read in this book. I hope that, after having read the book, you will not let de cover-up persist."

To the Readers of This Book

This is also the message he directed to the readers on the back cover of his book: "For every murder, regardless of who is involved, it is necessary to tell the truth and nothing but the truth and to write the truth about it, whether one likes it or not. It is up to you, dear reader, whether or not to support this novel. But if we keep silent, the killing machine of the dark forces will continue to kill without hindrance: Yesterday Theo, tomorrow one of us. Nobody has the right - regardless of whether someone under the law of a state or religious community really deserves to die - to kill. Especially in the so-called free democratic world, which claims to follow the paths of freedom and justice. Let us help to bring all those responsible for the murder of Theo van Gogh to justice."

Summary and Conclusion

It is abundantly clear that from the above accumulation of facts and the serious indications that can be found in Dead End Street, as well as from the detailed additions to it  by the author and from the various attempts made here to expose them at the monument The Scream dedicated to the freedom of speech, the Dutch government in its cover-up culture, in collusion with the mainstream press and media, is not in the least interested in discovering the true background to the murder of Theo van Gogh. They are therefore directly or indirectly guilty of obstruction of justice. This is further confirmed by ignoring the offer by the writer and criminologist Slobodan Mitric to appear as a witness with his relevant knowledge and expertise before the supervisory commission the CTIVT into the murder of Theo van Gogh and furthermore by the actions of the Dutch Secret Service, the AIVD, the mainstream media and the political and cultural establishment.

May the English version of this true crime do what the original Dutch version failed to do:  to help get to the bottom of this case, so that at least the course of justice will not turn into a dead end street.